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Cameos |
| Hitchcock was famous for his cameos, which was an established part of his movies. |
|
The Lodger (1926) |
At a desk in a news agency and later on in a crowd watching an arrest. It was in this, his third movie, he made his début in a cameo, which was a coincidence since they were short of an extra - this was noticed by the audience and the press which made him use it again in succeeding movies. |
| Easy Virtue (1927) |
Walking by a tennis court carrying a stick. |
| Blackmail (1929) |
A little sketch in which he is being bothered by a little boy while reading a book on a tram (streetcar in the US). |
| Murder! (1930) |
Walking by the house where the murder is being committed, approximately an hour in the movie. |
| The 39 Steps (1935) |
A pedestrian tossing some litter while Robert Donat and Lucie Mannheim is running away from the theatre, seven minutes in the movie. |
| Young and Innocent (1937) |
Outside the court room holding a camera. |
| The Lady Vanishes (1937) |
At Victoria Station at the end of the movie, wearing a black coat and smoking a cigarette. |
| Rebecca (1940) |
Walking by the phone booth in the last part of the movie, right after George Sanders makes the call. |
| Foreign Correspondent (1940) |
Early in the movie after Joel McCrea is leaving his hotel, wearing a hat and reading a newspaper. |
| Mr. and Mrs. Smith (1940) |
Half-way through the movie, passing by Robert Montgomery in front of his building. |
| Suspicion (1941) |
Posting a letter in the village, approximately 45 minutes in the movie. |
| Saboteur (1942) |
Standing in front of Cut Rate Drugs in New York when the saboteur's car stops, an hour in the movie. |
| Shadow of a Doubt (1942) |
On the train in Santa Rosa playing cards. |
| Lifeboat (1943) |
On the "Before" and "After" pictures in a newspaper advertisement for a diet pill. |
| Spellbound (1944) |
Leaving an elevator at Empire Hotel carrying a violin case and smoking a cigarette, 40 minutes in the movie. |
| Notorious (1945) |
At a big party in Claude Raine's mansion, drinking champagne and leaving the party in a hurry, an hour in the movie. |
| The Paradine Case (1946) |
Leaving the train and Cumberland Station carrying a cello. |
| Rope (1948) |
His trade mark is seen shortly on a neon sign outside the apartment window, approximately 55 minutes in the movie. |
| Under Capricorn (1948) |
At the market during a parade wearing a blue coat and a brown hat, within the first five minutes. Ten minutes later he is one of three men at the stairs at Government House. |
| Stage Fright (1949) |
Turning to watch Jane Wyman in her disguise as the lady's maid of Marlene Dietrich. |
| Strangers on a Train (1950) |
Enters the train carrying a double-bass when Farley Granger gets off in his native town, early in the movie. |
| I Confess (1952) |
Crosses the top of a staircase after the opening credits. |
| Dial M for Murder (1953) |
In the left side of the reunion picture, thirteen minutes in the movie. |
| Rear Window (1953) |
Setting the watch in the songwriter's apartment, thirty minutes in the movie. |
| To Catch a Thief (1954) |
Sitting to the left of Cary Grant on a bus, ten minutes in the movie. |
| The Trouble with Harry (1954) |
An old man looking at paintings, walking by the parked limousine, twelve minutes in the movie. |
| The Man Who Knew Too Much (1955) |
Watching acrobats at the Moroccan market place with his back to the camera, right before the murder is being committed. |
| The Wrong Man (1956) |
Narrator of the movie's prologue. |
| Vertigo (1957) |
Walking on the street wearing a grey suit, eleven minutes in the movie. |
| North by Northwest (1958) |
Arriving too late at the bus stop during the opening credits. |
| Psycho (1959) |
Can be seen wearing a cowboy hat through Janet Leigh's window when she returns to the office, four minutes in the movie. |
| The Birds (1962) |
Leaving the pet shop with two white terriers when Tippi Hedren enters. |
| Marnie (1963) |
Enters the hotel corridor after Tippi Hedren passes by, four minutes in the movie. |
| Torn Curtain (1965) |
Sitting with a blond baby in the lobby of Hotel d'Angleterre, early in the movie. |
| Topaz (1968) |
Thirty minutes in the movie. He is being pushed in a wheelchair at the airport, stands up saying hello to a man and walkes out to the right. |
| Frenzy (1971) |
Three minutes in the movie. Stands in the middle of a crowd wearing a bowler hat, he is the only one not applauding the speaker. |
| Family Plot (1975) |
41 minutes in the movie. Can be seen as a silhouette through the frosted window in the door to a registrar of births and deaths - an appropriate cameo in his last movie. |
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